C.P.E. Bach Oboenkonzerte & Sonaten (2005)

Bach

ALEXEI UTKIN, HERMITAGE CHAMBER ORCHESTRA

When, at the end of the 18th century in Germany, they talked of the “great Bach”, it was usually not Johann Sebastian they had in mind, who was admired at the time by just a few connoisseurs, but his second son, Carl Philipp Emanuel (1714 –1788) in whose powerful talent Haydn, Mozart and Beethoven delighted and whose influence extended even to the early romantics: Weber, Hoffmann, Mendelssohn. 
Emanuel Bach’s striking individuality made it impossible for him to fit into any one school or style. In the music of the 18th century he stands on his own, belonging in entirety neither to the baroque nor classical styles.
There is no mistaking C.P.E. Bach’s style; it is recognizable right from its first abrupt, tense, almost electric phrases which seem to anticipate the pre-storm atmosphere of the Sturm und Drang period. In the eyes of his contemporaries he was regarded not just as a maître (as was his father), but as a genius in so far as at that time the term genius tended to be associated above all with people possessing exceptional personalities, exceptional ability in the arts taking second place.

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ALEXEI UTKIN

Alexei Utkin is an outstanding Russian oboe player, a virtuoso soloist and director of the Hermitage Chamber Orchestra, professor of the Moscow State Conservatoire. His instrument with an extended range was specially designed by the famous French oboe maker Alain de Gourdon (head of the F.Lorée). Since 2003 Alexei Utkin and the Hermitage Chamber Orchestra have been recording with Caro Mitis. This SA–CD is the first of the three albums with the works by J.S. Bach. Some of them are original compositions with the soloing oboe, the others are transcriptions made by Alexei Utkin

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C.P.E. Bach Oboenkonzerte & Sonaten (2005)

Bach

ALEXEI UTKIN, HERMITAGE CHAMBER ORCHESTRA

Digital Converters: Meitner design
Microphones: Neumann km130 DPA (B & K) 4006 ; DPA (B & K) 4011 SCHOEPS mk2S ; SCHOEPS mk41
Producer: Michael Serebryanyi
Recording Engineer: Erdo Groot, Roger de Schot
Recording location: Manege hall of The Moscow Theatre School of Dramatic Art
Recording Software: Merging
Recording Type & Bit Rate: DSD64

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CM0112004: C.P.E. Bach Oboenkonzerte & Sonaten
02:04:22   Select quality & channels above
Tracks.
1.
Trio Sonata in D minor for Flute, Oboe and Basso Continuo Wq 542.5. - Adagio (1st)
Bach
00:03:09   Select quality & channels above
2.
Trio Sonata in D minor for Flute, Oboe and Basso Continuo Wq 542.5. - Allegro (2nd)
Bach
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3.
Trio Sonata in D minor for Flute, Oboe and Basso Continuo Wq 542.5. - Largo (3rd)
Bach
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4.
Trio Sonata in D minor for Flute, Oboe and Basso Continuo Wq 542.5. - Vivace (4th)
Bach
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5.
Concerto in E-flat major for Oboe, Strings and Basso Continuo Wq 165. - Allegro (1st)
Bach
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6.
Concerto in E-flat major for Oboe, Strings and Basso Continuo Wq 165. - Adagio ma non troppo (2nd)
Bach
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7.
Concerto in E-flat major for Oboe, Strings and Basso Continuo Wq 165. - Allegro ma non troppo (3rd)
Bach
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8.
Sonata in G minor for Oboe and Harpsichord Wq 145. - Allegro (1st)
Bach
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9.
Sonata in G minor for Oboe and Harpsichord Wq 145. - Adagio (2nd)
Bach
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10.
Sonata in G minor for Oboe and Harpsichord Wq 145. - Allegro (3rd)
Bach
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11.
Concerto in C minor for Oboe, Strings and Basso Continuo Wq 22. - Allegro (1st)
Bach
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12.
Concerto in C minor for Oboe, Strings and Basso Continuo Wq 22. - Un poco andante (2nd)
Bach
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13.
Concerto in C minor for Oboe, Strings and Basso Continuo Wq 22. - Allegro di molto (3rd)
Bach
00:07:10   Select quality & channels above

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