Telemann, Complete Orchestral Suites, vol.3 (2010)

Telemann

Pratum Integrum Orchestra

A Universal Genre
If I hear the first part of a good overture I experience a peculiar elevation of my mood; during the second part my spirits spread out, full of delight; and when the serious ending comes along, they collect themselves and retreat to their usual abode. I think this is a pleasant alternation which an orator could hardly improve upon. A close observer might be able to trace these emotions in the mien of an attentive listener. (Johann Mattheson, Der vollkommene Capell-Meister, Hamburg 1739, p. 208, § 36) Johann Mattheson (1681–1764), the contemporary and fellow musician of Georg Philipp Telemann (1681–1767), here puts into words what music connoisseurs particularly liked about a large group of instrumentalists playing together in the typical manner of a musical introduction to a French theatre performance: the beginning – nearly always marked by dotted rhythms – which draws in the audience with its broadly declamatory, harmonically rich presentation; the lively continuation based on the imitative texture of the various parts, which encourages a sophisticated manner of listening; and finally the return to the initial affect, often seasoned with a temporary harmonic deviation. This artful succession of concentration, distraction, and again concentration was an excellent way to prepare for what was to follow – a stagedpresentation or an instrumental suite.

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Pratum Integrum Orchestra

The Pratum Integrum orchestra performs with authentic instruments. The Latin name translates as ‘unmown meadow’ and refers to their broad-ranging repertoire from the Baroque and Classical periods, about which little is known to this day. This is the only orchestra in Russia in which all the groups of historic instruments are represented: strings, wind and percussion, and moreover all the instruments were made in the 18th to 19th centuries or copied from period examples. Pratum Integrum’s performances are a careful recreation using original treatises, primary sources and eye-witness accounts by contemporaries. 
The orchestra was established in Moscow in 2003 with sponsorship from the company Essential Music, immediately gaining a reputation as an extraordinary, outstanding and highly professional group of musicians with a predilection for fast tempos and vivid, fresh interpretations. 

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Telemann, Complete Orchestral Suites, vol.3 (2010)

Telemann

Pratum Integrum Orchestra

Digital Converters: Meitner design
Microphones: Neumann km130 DPA (B & K) 4006 ; DPA (B & K) 4011 SCHOEPS mk2S ; SCHOEPS mk41
Producer: Michael Serebryanyi
Recording Engineer: Erdo Groot, Roger de Schot
Recording location: 5th Studio of The Russian Television and Radio
Recording Software: Merging
Recording Type & Bit Rate: DSD64

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CM0032008-2: Telemann, Complete Orchestral Suites, vol.3
01:45:14   Select quality & channels above
Tracks.
1.
Orchestral suite in D major. - Ouverture
Telemann
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2.
Orchestral suite in D major. - Perpetuum mobile
Telemann
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3.
Orchestral suite in D major. - Sarabande
Telemann
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4.
Orchestral suite in D major. - Bourree
Telemann
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5.
Orchestral suite in D major. - Menuet
Telemann
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6.
Orchestral suite in D major. - Tourbillon
Telemann
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7.
Orchestral suite in D major. - Gigue
Telemann
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8.
Orchestral suite in B flat major. - Ouverture
Telemann
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9.
Orchestral suite in B flat major. - La Discretion
Telemann
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10.
Orchestral suite in B flat major. - Menuet
Telemann
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11.
Orchestral suite in B flat major. - Courante
Telemann
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12.
Orchestral suite in B flat major. - La Grimace
Telemann
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13.
Orchestral suite in B flat major. - La Doute
Telemann
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14.
Orchestral suite in B flat major. - Le Sommeil
Telemann
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15.
Orchestral suite in B flat major. - Mercure
Telemann
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16.
Orchestral suite in D minor. - Ouverture
Telemann
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17.
Orchestral suite in D minor. - Passepied
Telemann
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18.
Orchestral suite in D minor. - Entree
Telemann
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19.
Orchestral suite in D minor. - Loure
Telemann
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20.
Orchestral suite in D minor. - Rondeau
Telemann
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21.
Orchestral suite in B minor. - Ouverture
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22.
Orchestral suite in B minor. - La Prude
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23.
Orchestral suite in B minor. - Gavotte
Telemann
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24.
Orchestral suite in B minor. - Gigue
Telemann
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25.
Orchestral suite in B minor. - Rigaudon
Telemann
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26.
Orchestral suite in B minor. - Menuet
Telemann
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27.
Orchestral suite in B minor. - Rondeau
Telemann
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28.
Orchestral suite in B minor. - Canarie
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29.
Orchestral suite in E major. - Ouverture
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30.
Orchestral suite in E major. - Loure
Telemann
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31.
Orchestral suite in E major. - Marche
Telemann
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32.
Orchestral suite in E major. - Air
Telemann
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33.
Orchestral suite in E major. - Passepied
Telemann
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34.
Orchestral suite in E major. - Angloise
Telemann
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35.
Orchestral suite in E major. - Les Furies
Telemann
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36.
Orchestral suite in E major. - Rigaudon
Telemann
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37.
Orchestral suite in E major. - Menuet
Telemann
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38.
Orchestral suite in E major. - Hanasky
Telemann
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39.
Orchestral suite in G major. - Ouverture
Telemann
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40.
Orchestral suite in G major. - Entree
Telemann
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41.
Orchestral suite in G major. - Bourree
Telemann
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42.
Orchestral suite in G major. - Loure
Telemann
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43.
Orchestral suite in G major. - Rondeau
Telemann
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44.
Orchestral suite in G major. - Menuet
Telemann
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